AIVAZOVSKY NINTH WAVE WALLPAPER

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aivazovsky ninth wave

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Painted when Aivazovsky was 33 years old, it is characteristic of his mature Romanticism in technique, theme and populist appeal. This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The people in Aivazovsky’s painting are not just Biblical figures, they are Aivazosvky dreamy imagining of his own romanticized Armenian roots combined with a vaguely conceived Orientalism that looked towards an old Constantinople and beyond for a sense of uncorrupted identity.

The Ninth Wave, Ivan Aivazovsky, Details of artist on Google Art Project.

Ivan Aivazovsky – The Ninth Wave | Graphicine

By using our site, you agree to our termsand usage of cookies. Retrieved from ” https: The work of art itself is in the public domain for the following reason: From Wikipedia, the free encyclopedia. Views Read Edit View history. Ivan aivazovsky, la nona onda,dett.

You must also include a United States public domain tag to indicate why this work is in the public domain in the United States. Retrieved from ” https: Pages using infobox artwork with autolinked artist field Articles containing Russian-language text Commons category link is on Wikidata.

  MASHIMARO ANDROID WALLPAPER

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This photographic reproduction is therefore also considered to be in the public domain in the United States. Retrieved 1 November It depicts a sea after a night storm and people facing death attempting to save themselves by clinging to debris from a wrecked ship. Public domain Public domain false false Nlnth author died inso this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author’s life plus years or less.

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File:The Ninth Wave, Ivan Aivazovsky, 1850.jpg

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  MICROMAX A67 WALLPAPER

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Ivan Aivazovsky – The Ninth Wave

Public domain Public domain false false This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author’s life plus years or less.

As his own technique outstripped his early teacher’s, Aivazovsky was able to capture a greater sense of motion, as if the French painters’ attention to surface detail got in the way of their communicating fluidity and depth. This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights. Views View Edit History. This photographic reproduction is therefore also considered to be in the public domain in the United States.